Oak Leaf Handkerchief

This was my contribution for Ansteorr'a Pennsic largess (for Queen Dagmaer of An Tir). The design is loosely taken from her heraldry - green oak leaf and blue border. This was a chance to practice my teeny tiny hem, which I think is getting smaller and more precise. It was my first try at a handkerchief and I'm pleased at how it turned out. The handkerchief is a really light weight linen from fabrics-store.com, which is really light and soft.

I did the hem in Gutternman silk sewing thread and the embroidery was done in a single thread of the Rainbow Gallery Splendor (which is a 12-ply). The tiny chain stitch was kind of a pain, but the end result was really nice. A single thread of the Splendor is a little fuzzier than I probably would have preferred originally (it was on hand) but the end result was a chain stitch that kind of melts into itself smoothly, so I think it turned out to be a good choice. I declare this a handkerchief success and move boldly forward with more handkerchief plans.

Below is a zoom of my teeny tiny hem with coins for scale. There is a US penny, a Euro one cent, and just for fun a Nederlandish guidler. That should cover most of my readership I think :) I was so happy with my earlier tiny hem that I really finally felt like I might be able to make some nicer things out of delicate linen. With a little practice, I think that the stitch turns out really nicely. I am perhaps a little smug to officially add a new skill to my arsenal.

Arming Cap

My son has been sick, but he's been content to let me do a little hand sewing while he's cuddled up on my lap, so I started a couple of small projects. I've got fairly fuzzy hair and I get crazy Muppet helm hair when I fight, so I've needed an arming cap for a while. I machine sewed the pieces together, but then did the seams and hems by hand. It was a surprisingly entertaining project. I've been working on approaching hand sewing more like fun embroidery than a chore and I think I'm getting more comfortable with it.

The cap is made from handkerchief-weight linen, since I want it to be as light weight and cool as possible. I've got a linen helm liner, which should reduce the chance of snags. Hopefully it will hold up and if it doesn't it will be educational.

Girdle Book

I made a girdle book to celebrate my friend Gaston's elevation to Laurel. I realized yesterday that I forgot to take pictures to post about it and this morning when I woke up, it turns out Gaston had done all my work for me by taking a picture and posting it to his blog :) My slacker ways have been rewarded.

Gaston's Post

He says some very nice thing (thanks!) and I encourage you to check out his blog as well. He does great work in armor, brewing, music, and general SCA puttering.

St Martin's panel progress

I've uploaded some progress pictures of the St Martin's panel to Flickr. The above picture shows the current state of things. I've finished the color fill stitching and I'm working on the outlining.

The next thing that I have to think about is painting on the faces. Lady Sabine Berard has generously posted some pictures from the Cloisters at the NY Met. In them, she has a great close up of a painted face from a piece that came out of the same convent: picture. In this particular piece the face is done in "encroaching Gobelin stitch" and painted on, but on the St Martin's panel they just used a regular brick stitch as the foundation.

Unfortunately, I haven't read much on what kind of paint was used for the face. From scribe's guild I know that gouache paint is a good modern equivalent for scroll work, but I'm not sure for painting on embroidery. I'm still looking for sources though, so if anybody knows anything, I would be most grateful.

Gloves: Goldwork progress pictures

Here are my pictures from the goldwork progress on the gloves I posted about earlier. The materials are a woven wool background with a muslin backing, wool felt for foundation padding, Kreinik Japan Gold #7, and Soie Crystal silk for couching.


I used yellow wool felt for the foundation. Here is a progress of tacking it down.


The foundation is completely sewn down and I have started couching the gold thread.


More progress


The "V" is finished and I have started the crown.



Finished embroidery for both gloves


I used a dark gray wool foundation under the embroidery to give it a bit of lift off of the glove. Here are the circles basted on.


Front picture of basting.

After I based the circles down, I cut the fabric with a nice seam allowance and gathered it around the circles. I used a tiny drill bit to drill holes in the gloves and an awl to sew down the roundels. Next I made the gold braids out of the Krenick gold. Finally, Rachel and I sewed on the gold braid trim around the edges. Its at a slight angle to cover the depth difference between the glove bottom and the roundel top.

Overall this was a fun project. It was the first time I've used the foundation padding for more depth in the embroidery and it really does make it sparkle! Its a bit harder to work with and the precision/tightness of the couching was harder to get. Its hard to see in the picture but there is a bit of texture in the couching on the crowns that added a little sparkle. I liked the minimalist little "v" when I did the embroidery (especially in contrast to the depth of the big "V"), but now I'm kind of wishing that I had done something fancier. Ah well, that's life.

The Kreink Japan gold is fun to work with (and I have several large spools of it!) but I am looking forward to trying some of my real metal threads soon - just as soon as I can figure out the project!

More Gloves!

I've been remiss in posting, but here is the current state of things. Pictures are included of the three gloves that I have completed for the crown. After I finished the stitching, Rachel came by and helped with the construction and finishing which speeded things along. I'll do some more posts that show construction updates, but I couldn't resist posting the finished gloves. The pictures don't really capture the shine of the silk or the sparkle on the gold (especially the highlights on the Queen's glove).

King's Gloves: These are padded goldwork on a woven wool foundation. I used wool felt for the padding to give it a bit of dimension.


Queen's Glove (Front)


Queen's Glove (Back)

Royal Gloves II

Here is my current progress on the second set of royal gloves. This pair is for the queen and has the same sigil as the first pair, but is in her colors. I added a background so that the whole cuff would be stitched. The background is an "E" pattern for Ebergardis and made to look like ermine (from her device). Rachel helped me put the background design together and pick out colors. The "E" motifs are in a very, very light gray and the lattice work is in white. Its always hard to imagine how repeating patterns are going to turn out, but I think we got a nice homage to ermine on this one.

Also featured in this picture is the lap stand that I got recently. I am really enjoying using it. The stand design really limits its usefulness to frames of a width pretty close to your lap width, but it has worked well for my current projects. I'm starting to ponder floor stands for some other work. I'm a bit torn between exploring modern frames and medieval frames. I'm not sure which I'm going to look at first.